Male/Female Film Series

Posted by on Jul 29 2013 | Motion Pictures

 

iwasamalewarbride

(I was a Male War Bride, Howard Hawks, US 1949, 35mm)

 
In conjunction with the exhibition The Gender Show (on view through October 13), the Dryden presents films that explore concepts of masculinity and femininity, with an emphasis on works that challenge, rather than uphold, traditional ideas of gender.

The most recent film in the series, Alain Berliner’s Ma vie en rose, was a surprise art-house hit that explores a young boy’s homosexuality (and his parents’ difficulties accepting it) with charm, grace, and wit. Those last three terms can also be applied to I Was a Male War Bride, a classic Howard Hawks collaboration with Cary Grant that allows co-star Ann Sheridan to steadily break down Grant’s “manly” image to hilarious effect.

On the flipside, Sam Fuller’s Forty Guns gives Barbara Stanwyck full command of the titular group of cowboys in a wild scenario that makes Johnny Guitar look like a kiddie serial.

Finally, we’ll conclude with one of the most subversive cinematic looks at gender ever made: Edward D. Wood Jr.’s Glen or Glenda, a film in the form of a bargain-basement Z-movie that veers between unbelievable camp and deeply moving confession.

 

Lisa Kribs-LaPierre is the former Manager of Online Engagement at the George Eastman House International Museum of Photography and Film.

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75 years – The Super Kodak Six-20

Posted by on Jul 17 2013 | Photography

SuperKodakSix-20

Super Kodak Six-20, 1938, Eastman Kodak Company, Rochester, New York. Gift of Eastman Kodak Company

July 2013 marks the 75th anniversary of the Super Kodak Six-20, the first production camera to feature automatic exposure (AE) control. Aimed at removing the exposure guesswork for photographers, the camera’s shutter-preferred AE control meant that the photographer chose the shutter speed and the camera would then “choose” the correct lens opening. Kodak’s engineers accomplished this feat by mechanically coupling a selenium photo cell light meter, located just above the top half of the camera’s folding clamshell.

This advancement, though groundbreaking, was not picked up by most camera manufacturers for some twenty years after the debut of the Super Six-20. These days, automatic exposure is a standard feature on almost all cameras. And it is not much of a stretch to call the Super Kodak Six-20 the first “smart camera.”

But auto exposure was not the only cutting-edge feature of the Super Six-20. It was also the first Kodak camera to use a common window for both the rangefinder and viewfinder. The film advances with a single-stroke lever, which also cocks the shutter at the end of the stroke, thus preventing double exposures. And like auto exposure, these features would not become common on cameras for many years.

SuperKodakSix-20.1

Features aside, the Super Kodak Six-20 is one of the most attractive cameras ever marketed. Its lovely clamshell exterior design was styled by legendary industrial designer Walter Dorwin Teague.

All this innovation came at a rather high price and not without some issues. The Super Kodak Six-20 retailed for $225 in 1938 (that would be over $2,000 today) and it had a reputation for being somewhat unreliable—the built-in self-timer was known to lock up the shutter. Since few models were manufactured, some 719, it is highly sought after by camera collectors.

 

 

 

 

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Todd Gustavson is the curator of technology at George Eastman House, working with the collection for more than 20 years.. He is also the co-owner of Walbokat, an 18 foot 1954 Chris Craft Riviera Runabout, shown at dusk at the main dock in Chautauqua, NY.

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Who’s Talking Gender?

Posted by on Jul 17 2013 | Other, Photography, Technology

Nickolas Muray (American, b. Hungary, 1892-1965) Douglas Fairbanks, Jr. & Joan Crawford ca. 1930 Gelatin silver print Gift of Mrs. Nickolas Muray

Nickolas Muray (American, b. Hungary, 1892-1965) Douglas Fairbanks, Jr. & Joan Crawford ca. 1930 Gelatin silver print Gift of Mrs. Nickolas Muray

The Gender Show is open now (through October) – an exhibition that urges dialogue, discourse, and contemplation. While we’re letting the photographs in the exhibit do most of the talking, we also want to see who else is exploring and challenging gender. We’ll be keeping track of some headlines and interesting topics here so keep checking back! Please leave a comment for any suggestions.

[7.17]Meet the world’s third gender

[7.11]If you were born a woman, how would you be different? Teary eyed Dustin Hoffman’s response and regret
[6.28]Paychex adding written policy against gender-identity bias after prodding by state comptroller
[6.24]White womens bodies as selfie objectified tools of dissent via Hyperallergic
[6.17] Elite Units in U.S. Military to Admit Women via NY Times
[6.17] Deciphering the genetic code of the cancer via BBC
[6.17] A “dismal week” for Australian feminists: Many men find gender debates too threatening to handle
[6.16] How 8 Gay Families Are Celebrating Father’s Day This Year via Huff Post
[
6.12] Why Dad’s Don’t Take Paternity Leave  via WSJ
[6.12] Manly Manicures  via NY Times
[6.11] Why Siri’s Voice Is Now A Man (And A Woman) via Huff Post

 

More images from the show available here.

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Lisa Kribs-LaPierre is the former Manager of Online Engagement at the George Eastman House International Museum of Photography and Film.

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20 years of Garden Vibes

Posted by on Jul 16 2013 | House & Gardens

Two shows left! NRBQ July 17 and The Ifs August 14.

 

Tickets available online or at the gate.

 

 

 

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Lisa Kribs-LaPierre is the former Manager of Online Engagement at the George Eastman House International Museum of Photography and Film.

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How photographs have presented gender over time

Posted by on Jul 10 2013 | Exhibitions, Photography

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Lisa Kribs-LaPierre is the former Manager of Online Engagement at the George Eastman House International Museum of Photography and Film.

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