The Freshman

Posted by on Jun 19 2014 | Motion Pictures

The Freshman comes almost at the tail end of the Dryden’s “Gangsters” series (playing every Thursday in May and June).  And it certainly gives a strong wink and a nod to gangster movies, but it also pokes fun at academia, foodies, and a few other things along the way.

Here’s the story: Clark Kellogg, young man from rural Vermont moves to New York City to go to film school.  Almost as soon as he sets foot in the city he is suckered out of all of his belongings.  When Clark finally chases down the thief, the guy attempts to pay Clark back by offering him a job with his Uncle Carmine and that’s when things really start to get interesting.

Freshman-2-900

There are so many reasons to see The Freshman—not least of which is Marlon Brando, as Carmine Sabatini, parodying his own performance, as Don Vito Corleone, from The Godfather.  Brando plays his part with such charm and style that he overcomes the risk of it becoming just a one-dimensional joke.  Roger Ebert said, “There have been a lot of movies where stars have repeated the triumphs of their parts—but has any star ever done it more triumphantly than Marlon Brando does in The Freshmen? He is doing a reprise here of his most popular character, Don Vito Corleone of The Godfather, and he does it with such wit, discipline and seriousness that it’s not a rip-off and it’s not a cheap shot, it’s a brilliant comic masterstroke.”  Also, in this film, Marlon Brando ice-dances, yes, ice-dances, and it’s lovely.

Not to be outdone is Matthew Broderick, as Clark Kellogg, who plays the perfect straight man whose been thrown into a crazy situation.  He is our utterly relatable and reasonable everyman trying desperately to stumble back out of the trouble that he has managed to stumble into and the audience is just happy to be along for the ride.  In addition to Brando and Broderick, the cast is rounded out with wonderful character performances by Bruno Kirby, Penelope Ann Miller, Frank Whaley (who sports an epic pompadour), BD Wong, and Paul Benedict.

Freshman-4-900

But, let’s also not forget the komodo dragon which, because komodo dragons are endangered, was actually played by seven water moniters.  One of the funniest, and surreal, moments in the film involves Bert Parks serenading the komodo dragon to the tune of “Here she comes Miss America.”  It is the endearing characters as well as moments like these that give this film such charm.

The Freshman playing June 19 at 8 p.m. at the Dryden Theatre.

Adriane Smith is a member of the Eastman Young Professionals Steering Committee.

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Music Cue Sheet Digitization Project

Posted by on May 28 2014 | Behind The Scenes, History, Motion Pictures, Other, Student Work

The experience of watching a silent film has never been truly noiseless. From the early teens well into the late 1920’s, silent films were almost always projected with some form of musical accompaniment, the nature of which varied according to the individual film and the scope of the theatre and clientele. Special releases premiering in big cities at important theatres were often accompanied by original scores performed by 40-plus piece orchestras, while screenings of the same film in smaller cities and towns might be accompanied by a single musician, usually a piano player or organist, improvising the musical accompaniment. Compiling, not to mention learning, enough appropriate music for countless reels of film was a formidable task that was resolved with two essential documents for the musician: music cue sheets and photoplay music.

Music cue sheets are highly detailed lists of musical suggestions, tailored to the narrative sequencing of a specific film. They were first produced by the Hollywood studios, but were also sold by musical entrepreneurs outside the studio system. Some, such as the “musical synopsis” for Across the Continent, simply listed the names of these musical suggestions along with their proper place in the film. Others, such as the “thematic music cue sheet” for Abraham Lincoln, featured the beginning melody of each suggested piece on a musical staff under the “cue” of an intertitle or action seen on screen.

Across the Continent

 

Abraham Lincoln

The second important element, photoplay music, is a sort of umbrella term. It is used to describe a series of compositions or musical arrangements, sometimes original but more often lifted from popular classical melodies, used to accompany a film. Photoplay music includes everything from venue and orchestra specific original scores for larger releases, to musical arrangements simple enough to be played by a single accompanist, but substantial enough to be fleshed out for small ensembles or large orchestras. Cue sheets suggested specific arrangements of photoplay music for a film but it was the conductor or accompanist who ultimately decided which photoplay music to purchase and what to play during the film.

Photoplay Example

Here at George Eastman House we have a valuable collection of both cue sheets and photoplay music, donated by the estate of the late Theodore Huff, a collector, archivist, professor, biographer, and silent film accompanist. Perhaps even more impressive than the sheer volume of this collection is the intersection between the two elements. An active silent film accompanist and music collector himself, many of Huff’s photoplay music scores correspond directly with the musical suggestions listed on his music cue sheets. And that’s where I come in.

Kate Scanning

I am a Masters student here at the L. Jeffrey Selznick School of Film Preservation and the University of Rochester and I have spent the past few months initiating the process of digitizing this important collection. Cue sheets are still used to accompany screenings of silent films, but they are also incredibly useful research tools for archivists and scholars by virtue of their meticulous cataloging of running times, footage counts, projection speed, cues between scenes and more. Take for example the cue sheet for The Famous Mrs. Fair, which on just the first page offers up a wealth of information about the film. This is especially important for lost films for which music cue sheets constitute an important point of access, both in terms of technical specifications and narrative atmosphere as indicated by the musical suggestions, to films we might otherwise know nothing about.

Famous Mrs. Fair 1 Famous Mrs. Fair 2

The scope of the current project addresses the collection of music cue sheets for nearly 900 films. Once completed, we hope to continue into a second phase of digitizing over 1,600 pieces of photoplay music – the actual music pieces suggested in the cue sheets – for a comprehensive digital library of silent film music that will be accessible to archivists, scholars, musicians, and others. It’s a daunting but an exciting project and I’m grateful for the opportunity to get the process started.

 

Kate Cronin is from Baton Rouge, Louisiana and is a Masters Student at the L. Jeffrey Selznick School of Film Preservation at the George Eastman House and the University of Rochester. Her work with the Huff Music Cue Sheet Collection is part of her capstone project for the Selznick School.

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Yours Very Truly, George Eastman’s Legacy in Letters

Posted by on May 14 2014 | History

One of the neatest facets of the George Eastman Legacy Collection is the personal and business correspondence of George Eastman. Our vault contains 154 boxes of loose, incoming letters and 40 bound volumes containing Eastman’s outgoing letters in Letterpress format.

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Over the years, hundreds of researchers have come to peruse Eastman’s letters as they researched his business sense, love for music, home and gardens, philanthropy, travels, and much more. In order to preserve the fragile Letterpress volumes and aid people in their research, two years ago we embarked upon an ambitious project: scanning the copies of George Eastman’s outgoing letters in high resolution so that they could eventually be OCR’d and thus be word searchable.

With the help of Kirtas Technologies and Iris Resources, the 40 bound volumes were carefully photographed. It was a tedious process as clean, white sheets of paper had to be put behind each thin, translucent page so the blue text could be legible. Once we had our hi-res images (each volume contained either 500 or 1,000 pages), an indispensable volunteer of ours, Peter Thomas, ran the images through Photoshop, getting rid of unneeded space and heightening the contrast so the text could be as easy to read as possible. Then he ran the images through Abbyy, an Optical Character Recognition (OCR) software that “reads” the text and generates word-searchable PDFs.

While Peter spent months doing his part in Photoshop and Abbyy, some volunteers and I spent the same period typing up the handwritten indexes in the back of each volume that Eastman’s secretary, Alice K. Whitney, had created after wrapping up Eastman’s affairs. Now we have a complete, chronological index of every letter that Eastman wrote through his secretaries. (If Eastman personally handwrote a letter to someone, we wouldn’t have a copy – unless it’s been donated to us).

Now when a researcher asks if Eastman wrote to a particular person or company, I can quickly look their name up in our spreadsheet and see if and when Eastman corresponded with them. Getting the appropriate image number from that spreadsheet allows me to pull up the appropriate PDF(s) in seconds, saving time and preserving the original volumes.

Spreadsheet Example

 

Because of the nature of the often-blurry text on the thin paper, the OCR is not perfect. But we’re convinced we did the best we could with current technology available to us. At its best though, we can search the PDFs for particular words like Labrador or Brownie and find when Eastman talks about particular subjects.

We intend to make these searchable letters available online in a yet-to-be-determined format. Stay tuned.

Original Letter

Original Letter

 

Plain text version that was "read" and captured by Abbyy.

Plain text version that was “read” and captured by Abbyy.

 

 

 

 

Jesse Peers is the archivist of the George Eastman Legacy Collection.

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Dryden Trivia – Garlic Is as Good as Ten Mothers

Posted by on May 06 2014 | contest, Motion Pictures

Tonight, the Dryden Theatre screens two of Les Blank’s most loving odes to culinary creativity, Werner Herzog Eats His Shoe and Garlic Is as Good as Ten Mothers. These two lighthearted yet meticulously composed masterpieces are as endearing as they are interesting.

Garlic Is as Good as Ten Mothers (Les Blank, US 1980, 51 min., 16mm)

In recognition of the screening, our friends (and fellow Les Blank fans) at the Red Fern restaurant will be featuring delicious garlic-themed dishes beginning on Tuesday, May 6 and running them through Sunday, May 11.
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In addition, the Red Fern has generously provided a $30 gift certificate to a lucky Dryden Theatre fan who can answer the following garlic Trivia questions by tomorrow (Wednesday, May 7) at 5 p.m.

 

TRIVIA
Leave your answers in the comments below and we’ll choose a random winner from those with the correct answers. Good luck and don’t foreget to check out the rest of the Les Blank films screening throughout May at the Dryden.

1) When Satan left the Garden of Eden, which foot did garlic appear under?

2) Which ancient culture invoked garlic and onion as deities?

3) Nicholas Culpeper, the English herbalist and botanist, linked garlic with which planet?

4) Bonus question: Why are Vampires scared of garlic?

 

Kolbe Resnick is the Theater Manager of the Dryden Theatre.

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Another America: My Experience on an Amish Farm in Lancaster County

Posted by on Apr 28 2014 | Guest Blog, Other, Photography

Fifteen years ago, I was in my mid 30s and I didn’t know anything about farming. I bought a farm in Chenango County near Binghamton, N.Y. and bought two of everything—goats, sheep, cows, chickens, and pigs. People called me Noah.

Robert Weingarten (American, b. 1941). Amish 25, Lancaster County, PA, 2001. Inkjet print. Courtesy of the artist. © Robert Weingarten

Robert Weingarten (American, b. 1941). Amish 25, Lancaster County, PA, 2001. Inkjet print. Courtesy of the artist. © Robert Weingarten

I really liked the egg-laying hens. They’re really easy to work with. They make magic every day. They lay an egg every single day, nature’s perfect protein source.

I decided I wanted to learn how to raise organic eggs, so I called up Organic Valley and asked who’s raising eggs in the Northeast. They gave me the name of an Amish farmer in Lancaster County, who was at the time the largest producer of organic eggs for Organic Valley.

Robert Weingarten (American, b. 1941). Amish 52, Holmes County, OH, 2002. Inkjet print. Courtesy of the artist. © Robert Weingarten

Robert Weingarten (American, b. 1941). Amish 52, Holmes County, OH, 2002. Inkjet print. Courtesy of the artist. © Robert Weingarten

I just kind of broke that third wall, walked onto his farm, shook his hand, and said, “Hey, I want to raise organic eggs and I’ve heard you’re the best guy in the Northeast.” We immediately hit it off.

Jacob Glick lives in Bird In Hand, P.A. He and his family had five hen houses each with 10,000 chickens. All of the hens had access to the outdoors, and were let outside during the day to run around the pasture. It’s instinctual for them to come back into the barn at night and roost.

The most interesting and intriguing thing about the Amish lifestyle is how they’ve figured out ways to work around not having the modern conveniences we all think about, like electricity.

Chickens need a certain number of hours of light each day. So they had gas lanterns in the barn and used an old-fashioned windup alarm clock, with a string tied to the bells that when pulled would shut off the lights.

Robert Weingarten (American, b. 1941). Amish 10, Lancaster County, PA, 2001. Inkjet print. Courtesy of the artist. © Robert Weingarten

Robert Weingarten (American, b. 1941). Amish 10, Lancaster County, PA, 2001. Inkjet print. Courtesy of the artist. © Robert Weingarten

The Amish live a very simple life, very hard life. They’re not remotely afraid to put in a fifteen or sixteen hour hard day of physical labor, six days a week. Sunday is a day off, devoted to Church.

Robert Weingarten (American, b. 1941). Amish 35, Holmes County, OH, 2002. Inkjet print. Courtesy of the artist. © Robert Weingarten

Robert Weingarten (American, b. 1941). Amish 35, Holmes County, OH, 2002. Inkjet print. Courtesy of the artist. © Robert Weingarten

For a six-month period, I would go down and stay on Jacob’s farm for five or six days at a time. It was about 300 miles from my farm in Chenango County. He trusted me and I trusted him. Jacob was so giving and so helpful to me to really understand all the things I needed to do.

Some of my best memories are of the meals. Everything is made from scratch. That shoofly pie … wow! Lunch is the biggest meal of the day and also the only time the Amish do business.

The Amish are close to the vest when it comes to almost everything. For them to open up to me was very unusual.
The Amish are very helpful to each other. When someone gets married, they’ll buy a farm, and the whole community shows up to build a barn for them. It’s incredible how much gets done as a community. They’re a very, very tight knit community.

For a couple of years, Jacob hired a driver in a big truck (yes, there is an exception when hiring a driver) and he and his boys came up to my farm and stayed for well over a week and we went out hunting deer.

Robert Weingarten (American, b. 1941). Amish 72, Lancaster County, PA, 2003. Inkjet print. Courtesy of the artist. © Robert Weingarten

Robert Weingarten (American, b. 1941). Amish 72, Lancaster County, PA, 2003. Inkjet print. Courtesy of the artist. © Robert Weingarten

There’s an innocence about them that’s lost in our society now.

Related Exhibition and Program:

Another America: A Testimonial to the Amish by Robert Weingarten is on view through May 25, 2014 in Brackett Clark Gallery.

In Person: Photographer Robert Weingarten (Free to Members)
Thursday, May 1, 2014 at 6:00 p.m. in the Dryden Theatre.
Robert Weingarten will discuss his work on view in Another America.
 

 

 

Dean Sparks is the General Manager of Hart's Local Grocers, a new independent grocery store opening soon in the East End in downtown Rochester.

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