Archive for the 'Other' Category

Happy 4th of July!

Posted by on Jul 04 2015 | Motion Pictures, Other

Happy 4th of July from George Eastman House and the Moving Image Stills, Posters, and Paper Collection!

Joan Crawford

Joan Crawford

Nancy Carroll

Nancy Carroll

Colleen Moore

Colleen Moore

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Beat the Heat: Get Cool, Get Cultured

Posted by on Jul 01 2015 | House & Gardens, Other

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Looking for a way to beat the heat this summer? Get cool in a museum! George Eastman House, and our neighbor Memorial Art Gallery, are teaming up to offer discounted admission in July and August. At Eastman House, request a coupon at the Admission Desk with your paid or member’s free admission. Present this coupon at Memorial Art Gallery within 14 days,* purchase one admission and receive a second admission free. Memorial Art Gallery visitors heading to Eastman House will receive the same courtesy.

*(Offer good July 1-August 31)

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In the Garden Instagram Challenge

Posted by on May 05 2015 | contest, House & Gardens, Other, Photography

Challenge yourself this summer and engage with our new photography exhibition In the Garden (on view May 9-September 6).

Each week on Instagram, we’ll be exploring a different theme related to gardens and how humans cultivate the landscape. Post your response to each weekly photo challenge using the hashtags #eastmanhouse and #inthegarden — and don’t forget to include the week number (see list below) in your caption.

The challenge starts the week of May 4, and ends Sunday, September 6. Submit at least 10 weekly challenges for a chance to win prizes from the Eastman House Store. For more information, follow us on Instagram: @eastmanhouse. And be sure to visit the exhibition In the Garden for inspiration!

Get creative! We encourage you to post your own interpretations of these weekly themes:
Week 1 (May 4) | Public gardens
Week 2 (May 11) | Favorite flower
Week 3 (May 18) | Human impact on the land
Week 4 (May 25) | Favorite person in a garden
Week 5 (June 1) | Sunrise/Sunset in a garden
Week 6 (June 8) | Hedgerow
Week 7 (June 15) | Bridge in a garden
Week 8 (June 22) | Garden picnic
Week 9 (June 29) | Farm/Cultivated landscape
Week 10 (July 6) | Animals in the garden
Week 11 (July 13) | Working in a garden
Week 12 (July 20) | Food from a garden
Week 13 (July 27) | Black & white flower/plant
Week 14 (August 3) | Interesting angle
Week 15 (August 10) | Water in a garden
Week 16 (August 17) | Playing in a garden
Week 17 (August 24) | Leaf
Week 18 (August 31) | Garden symmetry
BONUS | George Eastman’s gardens

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Blind Date with Nitrate

Posted by on May 03 2015 | Motion Pictures, Other

Nitrate-Mystery-Frame-1200

Print source: George Eastman House
Running time: 95 minutes

Screening Sunday, May 3 at 2 p.m. at the Nitrate Picture Show.

About the film
The frame enlargement reproduced above was taken from the nitrate print to be presented in this program. If you are able to identify its title from the image, you are more than welcome to spread the news ahead of the screening.

All of the other films featured in the official schedule of the Nitrate Picture Show were announced on the morning of the festival’s opening day. We are now asking you to take a further leap of faith and come to this show without knowing what the film is.

In the months preceding this weekend, our technicians and curators inspected all sorts of films, ranging from undisputed classics to relatively obscure items. Our pleasure in looking at them didn’t derive much from the reputation of their creators, or from their stylistic achievements; we were, quite simply, in awe at how beautiful they looked after so many years. We would like to share some of this joy with you, regardless of the film’s critical pedigree.

The second reason for inviting you to a blind date with nitrate is the element of surprise. Each of us, at least once in our lives, has gone to the movies without knowing anything about the title we would see. This condition of blissful ignorance was, to some extent, part of the game. Not infrequently, the will to embrace the unknown is rewarded with a revelation, whether of a major work or an undiscovered gem. The sense of surprise achieved through this humble gesture has given these films a special place in our itinerary as moviegoers. It is a precious gift that deserves to be honored.

This mystery film is no more and no less important than the others in this festival. Don’t expect a previously lost masterwork—nor, for that matter, a mere curiosity item for hardcore cinephiles. It is cinema, embodied in a nitrate print.

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The Nitrate Picture Show Projectors and Projectionists

Posted by on May 02 2015 | Behind The Scenes, Motion Pictures, Other

Each introduction to a film at the Nitrate Picture Show includes special recognition of the projectionists in the booth who are the behind-the-scenes heroes making this entire festival possible. They certainly deserve an extra round of applause!

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The Projectors
A gift of the Century Projector Company, the Century Model C Projectors have been installed in the Dryden Theatre since it opened in 1951. These machines are “closed head” projectors, so-called because the entire film path from feed magazine to takeup magazine is enclosed. This makes them safer for running nitrate print film. Other safety features on the projectors include fire rollers or fire valves located between the body of the projector and the film magazines and a fire shutter. The fire rollers help prevent a fire from spreading to the roll of film in either magazine. The fire shutter cuts off the hot beam of light when the projector is either slowed down or stopped, helping to keep the film from catching on fire.

projector
The projectors were originally set up with carbon arc lamp houses, replaced in 1979 with xenon light sources as carbons were being gradually phased out. The Century projectors’ sound reproducers have also been upgraded over the years to ensure the best possible sound from vintage sound tracks.

Inspection report for CASABLANCA on display in the projection booth.

Inspection report for CASABLANCA on display in the projection booth.

Original release print of CASABLANCA (1942) queued up for opening night.

Original release print of CASABLANCA (1942) queued up in the booth for opening night.

The Projectionists
Spencer Christiano, projection specialist at Eastman House, is a graduate of the SUNY College at Brockport Department of Theatre (BS) and the MCC Visual Communication Technology: Photography- Television program (AAS). For nine years, he was chief projectionist at Rochester’s Cinema Theatre, and for two years, technical manager of the MuCCC theater, where he is currently an artist-in-residence. He is very active in the performing arts community, and has written, directed, designed, and managed more than two hundred theatrical, dance, mixed media, and conceptual art productions.

Jim Harte is a 1979 graduate of New York University Tisch School of the Arts Department of Film and Television. He has worked in New York City and Rochester as a film editor, writer, director, and archivist. He joined the projectionist team at George Eastman House in 2013.

Steve Hryvniak landed at Eastman House in 2004 after 25 years as a motion picture (later, entertainment) imaging technician at Eastman Kodak Company, where he contributed to new motion picture products and projection room support.

Projectionists Darryl G. Jones and Jim Harte.

Projectionists Darryl G. Jones and Jim Harte.

Darryl G. Jones has worked as a part-time projectionist since 1968. In addition to serving as a relief projectionist and service engineer for Eastman House, he was employed by Eastman Kodak Company from 1974 to 2007 as a systems development technician on traditional photographic, video, and digital cameras. He is the past president of the Rochester International Film Festival and has been their projection chairperson since 1975. He is a life member of the Society of Motion Picture and Television Engineers (SMPTE).

Patrick Tiernan is a Rochester native and an avid film fan. He holds a degree in film studies from SUNY College at Brockport. He has been projecting film at Eastman House for four years.

Ben Tucker is assistant collection manager in the Moving Image Department at Eastman House. He is a graduate of the L. Jeffrey Selznick School of Film Preservation and has been employed by the museum since 2003.

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