Each introduction to a film at the Nitrate Picture Show includes special recognition of the projectionists in the booth who are the behind-the-scenes heroes making this entire festival possible. They certainly deserve an extra round of applause!
A gift of the Century Projector Company, the Century Model C Projectors have been installed in the Dryden Theatre since it opened in 1951. These machines are “closed head” projectors, so-called because the entire film path from feed magazine to takeup magazine is enclosed. This makes them safer for running nitrate print film. Other safety features on the projectors include fire rollers or fire valves located between the body of the projector and the film magazines and a fire shutter. The fire rollers help prevent a fire from spreading to the roll of film in either magazine. The fire shutter cuts off the hot beam of light when the projector is either slowed down or stopped, helping to keep the film from catching on fire.
The projectors were originally set up with carbon arc lamp houses, replaced in 1979 with xenon light sources as carbons were being gradually phased out. The Century projectors’ sound reproducers have also been upgraded over the years to ensure the best possible sound from vintage sound tracks.
Inspection report for CASABLANCA on display in the projection booth.
Original release print of CASABLANCA (1942) queued up in the booth for opening night.
Spencer Christiano, projection specialist at Eastman House, is a graduate of the SUNY College at Brockport Department of Theatre (BS) and the MCC Visual Communication Technology: Photography- Television program (AAS). For nine years, he was chief projectionist at Rochester’s Cinema Theatre, and for two years, technical manager of the MuCCC theater, where he is currently an artist-in-residence. He is very active in the performing arts community, and has written, directed, designed, and managed more than two hundred theatrical, dance, mixed media, and conceptual art productions.
Jim Harte is a 1979 graduate of New York University Tisch School of the Arts Department of Film and Television. He has worked in New York City and Rochester as a film editor, writer, director, and archivist. He joined the projectionist team at George Eastman House in 2013.
Steve Hryvniak landed at Eastman House in 2004 after 25 years as a motion picture (later, entertainment) imaging technician at Eastman Kodak Company, where he contributed to new motion picture products and projection room support.
Projectionists Darryl G. Jones and Jim Harte.
Darryl G. Jones has worked as a part-time projectionist since 1968. In addition to serving as a relief projectionist and service engineer for Eastman House, he was employed by Eastman Kodak Company from 1974 to 2007 as a systems development technician on traditional photographic, video, and digital cameras. He is the past president of the Rochester International Film Festival and has been their projection chairperson since 1975. He is a life member of the Society of Motion Picture and Television Engineers (SMPTE).
Patrick Tiernan is a Rochester native and an avid film fan. He holds a degree in film studies from SUNY College at Brockport. He has been projecting film at Eastman House for four years.
Ben Tucker is assistant collection manager in the Moving Image Department at Eastman House. He is a graduate of the L. Jeffrey Selznick School of Film Preservation and has been employed by the museum since 2003.