If you were to look in the theater today you would never imagine that there was a screening just one week ago. Cinema Paradiso, the final film screened in the old Dryden, tells the story of a young man growing up in Sicily and the central role the local cinema played in his childhood. The cinema was central not only to the young man, Toto, but played a central part in the community he was a part of. Our screening brought in a crowd that filled over half of the theater that night and the sense of wonder was so omnipresent you could feel it in the theater as you entered.
Following the screening we began wrapping equipment in plastic. With the construction dust and concrete that will stirred up with the construction everything that could potentially be damaged, or was too arduous or near impossible to move, needed to be securely covered over. This includes the four projectors, the equipment in the projection booth, and the equipment left in the preservation work room, such as the Steenbeck flatbed.
The following morning the hard work began. At 7:00 am the volunteers and workers showed up, set up tents in the parking lot, and began tearing out seats. Taking the seats out of the theater was no small task. They were removed in sets of two, three, and four. Between the sets there were individual seats that would be used for spare parts in the seat sale and ensured that those who bought seats would have arm rests on both sides. First, the bolts holding the chairs into the floor were removed and the row was carried forward (by three or four people) and laid on its back. Once the row was flat on the ground it was much easier to remove the seat cushions and take the sets apart. The cushions were “friction set,” meaning they were not bolted or fastened onto the seat but were simply placed between the armrests where two hooks underneath fit snugly into holes on opposite sides of the seat. Following 60 years of people sitting in these seats they were pretty well, if not more than pretty well, secure and it took multiple hits with a hammer to dislodge them, sometimes more, and it was near impossible to do this with the seats in their upright position. Every seat was removed in those first two days and brought out to tents in the parking lot where they were picked up by those who had reserved them. By the end of the week the carpet, which had been glued to the floor, was torn up and the theater was completely bare.
The removal of the seats and the care for the equipment, on top of the sense of community involvement those first days was reminiscent of the images from Cinema Paradiso that we had seen just the night before, without the tears. Every person picking up their seats seemed thrilled to be taking a piece of Dryden history home with them. Much to our excitement many of the people who purchased them intended to use them for home theaters. Others were simply going to put them on their porch or in their mud room. Either way we were glad to see that they were finding a home where they would be cared for and used on a regular basis.
For those of you wondering about our iconic curtain, the drapery company came in and removed it on the first morning of the renovations. As seats were being forcefully removed and hammering could be heard throughout the theater, they gracefully constructed their ladder and scaled the height of the theater to remove it from its pulley system. When it was completely rolled up and ready to travel back to their storage facility it looked no bigger than any of the seats being removed from the floor. Truly a beautiful sight.
None of this could have been accomplished without the enthusiastic and generous help of the volunteers those first two days.
More on the Dryden Theatre Renovation:
Part I, The Curtain Stays
Part III, Cement, Lighting, and Accessibility
Part IV, Painting, Listening System and Digital Projection
Kolbe Resnick is the Theater Manager of the Dryden Theatre.
2 Responses to “Dryden Theatre Renovation Series: Seatless”