I’d like to share my experience from the PPCM program, as an intern and explore just a few of the many interesting objects in the vast Eastman House collection. The following is a small group of cat photographs. They are a great example of the incredible diversity available in the collection and not only show a variety of photographic processes and formats, but also illustrate a range of the different ways photographs have been used.
With something as simple as the subject of cats there are albumen cabinet cards, stereographs, and cdv’s; collotype prints; collodion POP; gelatin silver prints; gelatin glass negatives; photomechanical reproduction, and three color carbro prints, with uses ranging from advertising photographs by Nickolas Muray; postcards; Kodak amateur photographs and vernacular images; taxidermy photographs such as the album by Luis Soler Pujol; and a photograph from Eadweard Muybridge’s Animal Locomotion series.
The goal at the PPCM program is to educate ourselves with photographic materials and processes along with photographic history and the social and cultural conditions of its production and reception, so that we can better understand, care for, and manage photographic collections. As even this very small, seemingly casual group of photographs shows, Eastman House provides an incredible opportunity for this type of research and education.
Enjoy the show!
Eastman House’s graduate program in Photographic Preservation and Collections Management (PPCM) is offered in conjunction with Ryerson University.
Tags: albumen cabinet cards, cdv’s, collodion POP, collotype prints, Eadweard Muybridge, gelatin glass negatives, gelatin silver prints, George Eastman House, Luis Soler Pujol, photomechanical reproduction, Ryerson University, stereographs
Lisa Kribs-LaPierre is the former Manager of Online Engagement at the George Eastman House International Museum of Photography and Film.