During their recent visit to the area for a family wedding, fashion photographer David Burton and his wife Sarah stopped by our Gannett Foundation Photographic Study Center. Archivist Joe Struble prepared a selection of ‘fashion in photography’ images on the print rail and brought a few albums out for viewing— which gave us a chance to take a closer look at one album that made a particular (and timely!) impression with the Burtons : the British royal family.

Archivist Joe Struble (left) with Sarah and David Burton.

A view of images on the print rail.

Sarah Burton examines the royal family album.

The following details are from the album Famile Royal D’Angleterre, ca. 1863 (seen above). The images are printed by the van dyke brown process on silk (look closely and you can see the stiching and fabric folds).

 Queen Victoria

 Princess Louise

Princess Alexandra 

Prince Albert Victor 

 Princess Beatrice

Prince Leopold

View more of our The Photography Collection or browse selected sets on Flickr.

Alejandro Cartagena’s long-term photographic study focuses on the expanding suburbs outside of his home in Monterrey, Mexico. Wandering around the region for over five years, Cartagena was originally drawn to the infrastructure sprouting up in the hills seemingly overnight. These prefab, cookie-cutter, single family homes were emblematic of an expanding middle class but also of a creeping encroachment upon the natural landscape.

Alejandro Cartagena, Fragmented Cities, Santa Catarina, 2008

Photographing with a large format camera, Cartagena aesthetically references the topographic surveys of the American West undertaken by photographers such as Carleton Watkins, Timothy O’Sullivan and William Henry Jackson. Spurred by curiosity, economics and notions of “manifest destiny” these photographers recorded the majestic West before it became subjugated to the needs of private interests and expanding population.  Jackson’s photographs, in fact, were an inspiration behind the creation of Yellowstone National Park (America’s first) in 1872.

The stark contrast in Cartagena’s photograph is suggestive of his intent. In the image, a parade of identical concrete-block housing units march unrelentingly towards a magnificent peak. This progress, if we are to call it that, will inevitably contribute to the forces eroding the grand rock-face of nature, in Mexico and beyond.

Read more about Michael Itkoff’s publication Daylight Magazine and browse his Street Portraits series, one of which is featured our 2011 Benefit Auction.