I suppose it’s the feeling you get when you look at a garden you have cared for. Nothing can compare to experiencing it with your own senses, to see firsthand the fruits of your labor … that what you have planted, fed, and watered has flourished.
That was the feeling in the air at George Eastman House on Saturday, July 16, as National Endowment of the Arts (NEA) Chairman Rocco Landesman and Congresswoman Louise Slaughter toured Eastman House.
NEA Chairman Rocco Landesman, left, and George Eastman House’s Tony Bannon discuss the three-strip Technicolor process in the camera gallery at Eastman House.
Hosted by Tony Bannon, the museum’s Ron and Donna Fielding Director, the guests were shown the Speed Graphic camera that shot the Pulitzer Prize-winning photograph of the flag-raising at Iwo Jima, displayed alongside the image, as well as a NASA Lunar Orbiter, Lumiere Cinematographe, and a three-strip Technicolor camera that had been used on studio lots for many celebrated MGM films.
And this was all before Landesman and Congresswoman Slaughter took their seats in the Dryden Theatre to experience films from the Eastman House motion picture archive, restored with the support from the NEA. The selected titles included the oldest film version of The Wonderful Wizard of Oz (1910), an early sound film from Theodore Case (1925), screen tests from Gone With the Wind (1939), and a documentary directed by Paul Morrissey (1965).
Congresswoman Louise Slaughter, co-chair of the Congressional Arts Caucus, tells why it’s important to support the arts in Rochester and nationally.
Slaughter, co-chair of the Congressional Arts Caucus, is a longtime supporter of the arts as well as Eastman House, continuing to connect Rochester to the leadership of the arts in Washington, D.C. It for this tireless work the museum honored her with the inaugural George Eastman Medal of Honor in 2006.
The threads of George Eastman House are intertwined with those of federal agencies that serve the public, such as the Library of Congress and the National Archives. In this vein the museum’s collections and preservation schools and workshops have national and global reach and impact. But this, of course, cannot be achieved without support.
Both Landesman and Slaughter told local TV press how important it is to experience the country’s leading cultural organizations firsthand, in person.
“Film is a great art form, our cultural heritage, and right here is where it is preserved,” Landesman said. “Tony Bannon is a legend throughout the country for the work he does and we want to support him and George Eastman House.”
A private viewing in the Dryden Theatre of films from the Eastman House archive restored via support from the NEA. On the screen here is the oldest film version of “The Wonderful Wizard of Oz” (1910)
Dresden Engle is the Public Relations Manager for George Eastman House International Museum of Photography and Film.