We (Allan Phoenix and Fran Cullen) both began our careers at George Eastman House as students enrolled in the unique Photographic Preservation and Collections Management Master of Arts program, offered jointly by GEH and Ryerson University (of Toronto). Subsequent to graduation we joined the GEH staff to work on a year-long digitization and cataloging project for ARTstor, which is a nonprofit online database of art images designed to aid in research and scholarship by providing access to this and other collections.
I am a native Rochesterian and a University of Toronto graduate interested in, among other things, film history, celebrity portraiture, and (of course) photo preservation. Although neither of us began the project with any designated specialization, over the past several months I have fallen into the role of ARTstor cataloger. The most substantial of my projects thus far has involved the cataloging of GEHâ€™s entire collection of Animal Locomotion plates.
Eadweard Muybridge conducted the motion studies reproduced on these pages from 1884-87. I must confess that the most entertaining aspect of cataloging the images involved extensive imaginings about the environment of Muybridgeâ€™s set when he asked his models repeatedly to enact a variety of tasks – traversing a set of set of stairs carrying different objects; hopping on one foot; dumping water over one-anotherâ€™s heads â€“ predominantly in the nude.
I am Canadian! Most recently I hail from Guelph, Ontario, where I completed my undergraduate degree in European Studies before embarking on my Masterâ€™s degree at Ryerson University in Toronto. Prior to that my career included commercial photographerâ€™s assistant, theatre sound and lighting technician as well as being a freelance Key and Dolly grip in the film and TV industry.
At present, I am scanning a large collection of eight by ten proof and presentation prints by Nickolas Muray. Primarily made from the 1920s onward, these photographs are portraits of artists, celebrities and intellectuals living in the US during this time. Muray was a fascinating character who not only was an accomplished photographer and printer, but also a dance critic and Olympic fencer as well; he was as much a participant in the New York artistic and intellectual scene as documenting it.
In ensuing episodes of this blog, we intend to document snapshots of our experiences with the ARTstor digitization project, recording our observations and ruminations about the photographs with which we work. We hope that you will find the images and anecdotes as interesting as we do. Enjoy these glimpses â€œbehind the curtainâ€ at a small portion of the work occurring in the far back corner of the photo collection!
About our headshots: These images, featuring our respective profiles, were created by Anna Michas, Mirasol Estrada, and Alejandra Mendoza of the Advanced Residency Program in conservation at George Eastman House. They were made using a technique inspired by Laszlo Moholy-Nagyâ€™s photograms.
Allan Phoenix and Fran Cullen are catalogers in the Eastman House Photograph Department worked on a year-long digitization and cataloging project for ARTstor, which is a nonprofit online database of art images. Both are graduates of the Photographic Preservation and Collections Management Master of Arts program, offered jointly by George Eastman House and Ryerson University.
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